Position the speaker in front of the performer pointed at the audience.Improve the placement of the performer (with the mic) relative to the speaker.This won't work with any system and is a recipe for a bad time. This arrangement has the speaker and mic 'looking' directly at each other. If they can see each other, you're probably going to get feedback.ĭon't position the speaker behind the performer (with the mic) pointing at the back of the performer's head. To help visualize this.imagine that the head of the mic, and the face of the speaker both have eyeballs.
To do this, you need to minimize the amount of amplified that is sound coming out of the speaker and going back into the microphone. So, to avoid feedback, you need to prevent the mic from hearing itself. What causes feedback, and how can I prevent it?įeedback can occur any time a microphone can hear 'itself' being amplified by the speaker. These tips apply to small karaoke setups or large stage venues alike and are the first measures you should take to reduce feedback in your setup. We've put together some common steps that should be taken with any system, large or small, to reduce the likelihood of feedback. Feedback is possible any time you have a microphone that is amplified by a speaker or PA system.
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